Cameras

• Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
• 4608 x 3164 -/ 27.99 x 19.22 mm / 1.102 x 0.757″  / Ø 33.96 mm / 1.337″
• 0.75 – 120 fps
• Weight ∼2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))
• Dynamic range  17 stops

https://www.arri.com/en/camera-systems/cameras/alexa-35#273064

Arri Alexa Mini LF Full- Frame 4K Camera
The Alexa Mini LF body is very similar to the Mini but has a full frame sensor with an LPL mount.
-4.5K ARRIRAW and ProREs
– LF Open Gate – 4.5K ARRIRAW (4448 x 3096) at 40FPS / 4.5K ProRes (4448 x 3096) at 40FPS
– LF 16:9 – ARRIRAW & ProRes UHD (3840 x 2160) at 60FPS / 2K/HD ProRes at 90FPS
– LF 2.39:1 – 4.5K ARRIRAW & ProRes (4448 x 1856) at 60FPS

Lightweight carbon / 4:3 and 16:9 sensor modes / uncompressed Arri raw up to 30FPS / Prores up to 200FPS / In camera recording to Cfast 2.0 memory cards / Cost efficient in-camera grading.

Open Gate, 4:3 and 16:9 sensor modes, 512GB XR capture drive allows 47 minutes of 16:9 ARRIRAW at 24FPS or 9 minutes of ARRIRAW at 120FPS. In 4:3 ARRIRAW 48 FPS is possible. Included with the XT Plus are the Anarmorphic de-squeeze, high speed and DNxHD licences.

4:3 and 16:9 sensor modes. Anamorphic and High Speed licences. The Alexa Plus 4:3 will shoot 0.75 – 48 fps in 4:3 mode and 0.75 – 120 fps in 16:9 mode.

Exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 100 fps slow motion.

With wireless remote, LDS, additional MON out and RS pwr outlets, lens sync for 3D and built in position and motion sensors. Now shoots 120 FPS in ProRes 422HQ with 64GB card.

Now shoots 120 FPS in ProRes 422HQ with 64GB card.

Separate camera head and body joined by an optical cable. 4:3 and 16:9 sensor modes. Anamorphic and High Speed licences. The Alexa ‘ M ‘ will shoot 0.75 – 48 fps in 4:3 mode and 0.75 – 120 fps in 16:9 mode.

Weapon 8K with Monstro / Sensor type: 35.4 Megapixel CMOS / Effective pixels: 8192 x 4320 / Sensor size: 40.96 mm x 21.60 mm (Diagonal:46.31 mm) / Dynamic Range: 17+ stops / Signal to noise ratio: 80db / 300MB/s using 480 GB mini mag / 60fps at 8K full format / Shoot Apple ProRes or Avid codecs / Carbon fiber, Magnesium and aluminum Alloy / Weight: 3.3lbs

35.4 Megapixel CMOS sensor, Sensor size: 29.90 mm x 15.77 mm (Diagonal: 38.80mm), 60fps at 8K full format

Light-weight carbon fiber and magnesium build, 6K Resolution, 16.5 stops of dynamic range with PL mount, side handle + 4 redvolts, redmote, 5″ LCD, B-Box, 4 x 256GB mini SSDs, V-mount batteries and USB 3 Red Station.

Sony FX6 Cine Cam Body + Top handle XLR
Tilta Cage + Top/Base Plate Dual 15mm LWS
1 x Sony BP-U30 battery + AC adapter/charger
2 x 160GB CFexpress ( Type A ) 3 x 64GB SD cards
Sony FE 24-70mm f2.8 G Master
PL / Canon EF / Nikon / M42 mounts
Atomos Ninja V+ / SDI / HDMI / 2 x 2TB drives

CONTACT : RAJ phone +64211781296
email raj@rajpatel.co.nz

• 50MP Full-Frame Exmor RS BSI CMOS Sensor
• Up to 30 fps Shooting, ISO 50-102400
• 8K 30p and 4K 120p Video in 10-Bit
• Sony FE 100-400mm f/4.5-5.6 GM OSS lens

contact : Steve Couper +64274360267          email:steve@stevecouperphotography.co.nz

Shoot 4K with both Full Frame and super35 lenses. Sony 24-70mm/2.8 GM Zoom and RONIN M available also.

contact : Raj  +64211781296           email: raj@rajpatel.co.nz

Shoot 4K internally. With both Full Frame and super35 lenses. Sony 24-70mm/2.8 GM Zoom and RONIN M available also.

contact: Raj   +64211781296           email: raj@rajpatel.co.nz

Weight (Body only): 0.8kg, Max. Resolution (nat.): Photo 5184 x 3456 / Video 1920 x 1080, Base ISO: 500, Framerates: 24; 25; 30 fps (FullHD), recording media: CF Card, Codec: MPEG-4 AVC / H.264, Sensor size: 22.3 x 14.9mm, Lens mount: PL.